An atelier built for one client at a time

Celine Ricci trained in the Paris couture tradition before founding her own atelier with a decision that defines everything: take fewer clients, and give each one the entire house. The studio creates a limited number of commissions a year — bridal gowns, trousseaus, and red-carpet pieces — each one hand-cut, hand-beaded, and finished by a single master seamstress from first fitting to final stitch.

How a commission works

The process follows the couture rhythm, unhurried and precise:

• The first conversation: silhouette, occasion, and the way the client wants to feel — because a gown is architecture for a moment, and the moment comes first.
• Sketches and toiles: drawings refined together, then the structure built in toile and fitted repeatedly until the line is inevitable.
• The handwork: embroidery, beading, and finishing applied by hand — the hours run long, from the hundreds into the thousands for heavily beaded pieces, and that time is the gown.
• The final fittings: fit verified in movement — walking, sitting, dancing — because the dress lives the evening, not the mirror.

Materials and making

Silks, wools, and embellishments are sourced with the provenance the atelier's standard requires, and the embroidery studio works in-house, which is why the beadwork reads differently up close: it was made for this dress, not applied to it.

The house

Commissions are taken by appointment, and the calendar fills before seasons turn — deliberately. What the atelier sells is not a label but an object made by specific hands for one person, on one occasion, once.

For the client who wants couture as it was meant to be practiced — one garment, one maker, one occasion — Celine Ricci keeps a fitting room waiting.